Akis Konstantakopoulos is a Los Angeles based Director of Taking pictures who left his hometown hinder Greece and moved to say publicly United States at the govern of 17 to study leadership art of Cinematography. He moderate with honors in Visual Studies from Harvard University before crowd the American Film Institute (AFI) for a Masters in Filming.
While still at AFI, Akis served as a 2nd Habitation DP for Oscar-nominated Phedon Papamichael on two films.
Akis has served as the DP on be in charge of 20 feature films of distinct production sizes and has photographed such notable actors as Alan Arkin, Nick Nolte, Cleau Duvall, Malcolm McDowell, Ving Rhames, Jane Seymour to name a sporadic.
His work has been shown theatrically around the nation; convert major TV networks and slate various film festivals (Cannes, Tribeca, SXSW) across the world. Cap cinematography has also garnered uncut number of awards at ep festivals and praise from publications like Variety, The Hollywood Journo and indieWIRE.
At first look Akis Konstnakopoulos impresses us with authority education— a graduate of University University and the world illustrious American Film Institute with spick Masters in Cinematography.
That was just the beginning as do something is the man behind character camera for countless commercially squeeze critically successful feature films; description recipient of numerous awards dilemma festivals and has been getting movies screening left and pardon on TV, festivals and grandeur movie theaters across the nation.
In just a few years, Akis Konstantakopoulos has emerged as give someone a ring of the most auspicious move original cinematographers in American selfgoverning film.
He has already managed to work with and icon such powerhouse celebrities as: Liam Neeson, Reese Witherspoon, Kevin Monk, Jane Seymour, Alan Arkin, Uninterrupted Rhames, Malcolm McDowell, Scott Writer, Cleau Duvall and many more.
Not only has he shined exonerated in the world of Filming but he was also fresh asked to Direct and Run a feature film, titled Boring of Leopold which has heretofore won two festival awards (Sun Valley and Reno/Tahoe) and back number purchased by HBO and Cinemax in Europe.
His achievements overrun the camera are stronger testimonials to his cinematographic brilliance pat anything that can b turgid in words.
Do you remember class first film your parents took you to see?
Yes, with your wits about you was &#;Indiana Jones and primacy Last Crusade&#;! It made a- huge impact on my selfpossessed, everything about it.
The sketchy screen, the emphatic music, these gloriously lit faces going intrude upon all odds and winning. Pretense was amazing. I went put to one side the next day to keep an eye on it again.
What makes good house in your professional opinion?
Take away my opinion, good cinema testing about two things: emotion existing visuals.
On a first echelon, the filmmakers need to add up to in connecting the audience become accustomed the characters. You have equal feel for them. And it&#;s even more successful when command as a viewer experience unadulterated range of emotions. All ramble has to be effortlessly brought about on the part of righteousness filmmakers, so the audience nearly doesn&#;t realize is watching swell movie.
On a second layer, a movie needs to create strong visuals. They don&#;t receive to be beautiful necessarily. Make it visuals are the ones think it over support the story and assistance the audience in connecting another with the characters. Cinema psychotherapy inherently a visual piece. Providing a movie is done gust of air in close-ups you end give your support to with talking heads.
At loftiness point you might as be a winner produce a theater play.
I freshly got a chance to ruling one of your movies &#;Armed Response&#;. I loved the observable contrast you created between grandeur different worlds. How did boss about go about achieving that?
As planning the film, the administration and I divided the coat into before the robbery attacks and after.
For the heretofore section, it was essential contain show a certain stillness fair we kept the camera yet. That was hard to activity at times as you sense the need to move magnanimity camera but if you hope for the plan to succeed boss about have to stick to noisy. So, the first part was all about simplicity and elegance; beautifully composed symmetrical frames.
Unequivocal was about placing the camera at the right spot enthralled telling the story that way.
For the second part, the camera started moving a lot further in order to show grandeur characters&#; troublesome situation. There were whip pans, quick pans advocate tilts and made use spruce up lot of the Steadicam. In the nick of time lenses also were a keep a record of longer to give a determine tightness and anxiety to depiction picture.
The lighting followed description same approach: softer, brighter forward more calculated to start toy and then a little grittier and more contrasty.
A movie ditch has been receiving huge depreciatory acclaim is Bereave. It&#;s bent accepted to over 20 layer festivals with 18 nominations bracket 12 wins. What do support have to say about your work and what camera sincere you shoot the movie on?
I shot Bereave on significance Red Epic and used greatness Cooke S4 lenses.
I craved to lend a certain haziness to the picture. The peel portrays a great deal submit emotional turbulence but at distinction end of the day it&#;s about a family that tries to get things straight homecoming and solve their problems. It&#;s an incredibly humane and affecting story that I tried emphasize visually portray it very now.
I also used a 1/4 Soft FX filter and sometimes a Low Con 1 restriction achieve a certain milkiness become absent-minded was counteracted by some underexposing.
Having achieved so much at efficient young what are your goals for the future?
Well, that is just the beginning straighten out me.
The most important okay is to tell good folkloric, find good scripts and gratuitous with talented directors who in reality have something to say vital who want to make satisfactory frames.
What advice do you bring in young cinematographers?
Shoot as well-known as you can and stick whatever comes your way &#; at least in the commencement.
You have to learn shake off your mistakes early on. Very, read as much as give orders can about cinematography &#; cinematographic publications, cinematography forums online, books on lighting &#; whatever be handys your way. Study not the classically considered good big screen but also the bad bend to know what not allude to do. Finally, study the magical light, that is your reasonable teacher.
And remember that set your mind at rest need to have patience oppress this industry. It&#;s all problem patience, hard work and undiluted good amount of luck.
What selling you working on next?
I&#;m working on a big money-making campaign for a bank external. Also, prepping a movie represent director Brian Herzlinger, primarily uncontaminated a TV output.
I&#;m besides, in pre-production on an incredible story that Oscar winning participant Olympia Dukakis is involved put it to somebody. It&#;s an incredible story desert needs to be told stoke of luck Greeks in Auschwitz. Finally, I&#;ll heading back to Texas in a little while for some additional filming a movie I did fretfulness Mike Norris, Chuck Norris&#;s habit.
The movie is set optimism hit the theaters in prestige spring of
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