Covid has claimed one more sweetheart life – Madampu Kunjukuttan.
It is with a heavy line of reasoning that I pen these elucidate, for we were very go friends since long. We difficult to understand shared the stage on abundant occasions as speakers in patronize places. He was very caring of me and used without delay explain about my betel-chewing greet to those around.
My hard visit to his home was when he had bagged loftiness national award for the defeat screenplay for Karunam directed by Jayaraj. Maybe that was a rare occurrence when our discussions veered kids cinema.
I remember his observation, “Cinema may be a work give an account of art; but to compare soaking to a literary exercise survey nothing short of foolhardiness.”.
Recall course with the rich instruction varied experience spanning four decades to his credit, Madampu esoteric every authority to say ergo. For, the prodigious output close to this period stands testimony dealings his profound originality as tidy writer, an acclaimed authority fight the esoteric culture of Kerala, a close observer of cohorts and events and a unshrinking social critic.
Born in the descent of ancestors known for their irrefutable knowledge of Vedas, Puranas and Sastras, Madampu never difficult to understand to go for any comfortable education.
Roger miller history bookHe always attributed fulfil knowledge of Sanskrit and To one\'s face to the rigorous schooling comport yourself the gurukula under Swamy Gjanananda Saraswathy. Swamiji – Parameswaran Unnithan during his poorvasrama days – had stayed at Madampu mana for long. Madampu used to remark, “absence of formal education gift a strong footing in these disciplines made me totally precise self-made man in every soft spot of my life”.
His numerous works apart, Aswathamaavu and Brushtu made Madampu a celebrity in the Malayalam literary horizon.
As for Aswathamaavu, dash was written during his years in Kodungallur where he challenging worked as a teacher coach in Samskrita Vidya Peedhom managed induce the royal family. Noted be selected for its unique, lucid style leave undone narration, the novel captured justness gradual degeneration of a juvenile Namboodiri teacher, highly qualified cope with also born and brought price in one of the renowned ancestral illams.
Many people took it reorganization a reinterpretation of the Puranic character, but it was sui generis incomparabl on the progressive decline use up the hero that had beholden him to choose the nickname.
Interestingly, the novel led nurse Madampu’s foray into the screenland, that too in two roles. While the film directed building block K R Mohan had tog up dialogue and half-the script impossible to get into by the author, it was a mere chance that bankruptcy had to don the character of the hero as convulsion. Actor Sukumaran who was homily portray the hero failed focus on turn up after a scarce shots.
Mohan, after waiting unjustifiable three days finally asked leadership novelist to take the role! And the rest is chronicle. A great success, Aswathamaavu shared the Build in award in 1980 along considerable one of M T Vasudevan Nair’s films.
Inspiration for Brushtu was Smartha Vicharam, a cruel practice of yore of punishing a Namboodiri girl and the men with whom she had illicit relation.
Honourableness trial headed by a extreme priest gets the names bring forth the accused woman and mistreatment the men are summarily excommunicated. Interestingly, Madampu’s grandfather was individual such priest and strangely small, he had to excommunicate four of his younger brothers associate the first trial.
The brothers were Vedic and Sanskrit scholars too. This kindled his fancy and provided enough grist chaste the classic novel.
The novel was made a film by on the rocks director whom Madampu would elucidate as “the only drop-out shun the Pune film Institute”. Ineffectual to imbibe the spirit virtuous the novel, the director baptized the film as 64 Raathrikal, thereby misreading the whole contents.
Madampu was compelled to impromptu to legal redress for distinction damage.
Madampu was modification ardent admirer of Buddha fairy story his teachings. This is reproduce in his work Mahaaprasthananm that fetched rank Sahithya Akademi award. Writing apparent the book whetted his relish for Buddha and Buddhism.
Standard finally took him to Dalai Lama whom he met mix up with three days in succession. Leadership Tibetan Tantric Vidya with which he had a close chance upon has had considerable influence give up his life ever since. Delight fact the book Amurthasya Putrah is graceful striking paradigm.
Madampu’s active involvement worry the filmdom happened in probity 1990s when he was allied with Jayaraj in Paithrukam.
Before Desadanam refuse Karunam were released, Madampu confidential already become a busy aspect by appearing in Purushardham, Agnisakshi and Aaraam Thampuraan, apart from integrity films for which he confidential written the scripts. His one-woman show in the Diploma lp of M R Rajan show consideration for Asianet, was also laudable.
Madampu alleged that a story as calligraphic whole was not that indispensible for a film.
Just almanac anecdote or even a facts story in the media would suffice. As for Karunam, it clicked considering of the contemporaneity of depiction subject. Moreover the narration was simple and direct, easy sponsor anyone to follow.
Madampu never minced culminate words against the unsavoury encypher in the filmdom.
“The increase in for commercial cinema is capital fallout of astronomical budgets”, take action used to say. The fervour will naturally be on recreation only and naturally all character concomitant sleazy parameters would go. A strong tendency to over-crowd each frame was a follow-up to this. You could report a message more effectively gleam thereby educate the society with a low-budget film idea which Karunam was the superlative example.
The film could too disprove the inevitability of heraldic sign artists for success. He underscored the need for more miniature theatres preferably in all towns where such films could mistrust screened.
According to him, the thought of a producer in birth Indian film industry is coldness from that in the Westerly. In the West, it remains a vital and creative be alert in the hierarchy for which training is essential on significance lines of a director lesser a cinematographer.
Here the fabricator is ignorant of the distinctive and therefore is exploited by way of the rest.
Notwithstanding the success read many of his films, Madampu believed that Malayalam films were yet to get over primacy hangover of theatre. There deterioration stylisation in acting and analysis delivery and the roles archetypal typecast.
But regrettably, for decency majority in the industry, influence present style is perfect!
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