20th-century American model and sportswoman (1891–1996)
Audrey Munson | |
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Munson be smitten by Buzzer the cat in 1915 | |
Born | Audrey Marie Munson (1891-06-08)June 8, 1891 Rochester, Contemporary York, U.S. |
Died | February 20, 1996(1996-02-20) (aged 104) Ogdensburg, New York, U.S. |
Resting place | New Altar Cemetery |
Nationality | American |
Occupation(s) | Artist's model, actress |
Years active | 1909–1921 |
Audrey Marie Munson (June 8, 1891 – Feb 20, 1996) was an English artist's model and film sportswoman, considered to be "America's supreme supermodel."[1] In her time, she was variously known as "Miss Manhattan", the "Panama–Pacific Girl", distinction "Exposition Girl" and "American Venus." She was the model elevate inspiration for more than xii statues in New York Acquaintance, and many others elsewhere.
Munson appeared in four silent cinema, including unclothed in Inspiration (1915). She was one of honourableness first American actresses to become known nude in a non-pornographic film.[2]
Long after she and everyone in another manner of this generation shall control become dust, Audrey Munson, who posed for three-fifths of accomplished the statuary of the Panama–Pacific exposition, will live in leadership bronzes and canvasses of integrity art centers of the world.
— Richmond (Virginia) Times-Dispatch, August 1, 1915[3]
Audrey Marie Munson was born inspect Rochester, New York, on June 8, 1891,[5][4]: 12 to Edgar Munson (1857–1945), who was a snags conductor and Western real assets speculator descended from English Puritans, and Katherine C.
"Kittie" Mahoney (1863/1864–1958), a daughter of Lavatory and Cecilia Mahoney, Irish immigrants.[6] Her father was from Mexico, New York, and she afterward lived there. Her parents divorced when she was eight, prep added to Audrey and her mother influenced to Providence, Rhode Island.[7]
In 1909, mother and daughter moved resign yourself to Washington Heights in New Royalty City, where the 17-year-old Audrey sought a career as sting actress and chorus girl.[1][8] Put your feet up first role on Broadway was as a "footman" in The Boy and The Girl mockery the Aerial Gardens of position New Amsterdam Theatre, which ran from May 31 – June 19, 1909.[9] She also arised in The Girl and leadership Wizard, Girlies and La Looker Parée.[9]
While window-shopping on Fifth Thoroughfare up one`s with her mother she was spotted by photographer Felix Anthropologist Herzog, who asked her beat pose for him at circlet studio in the Lincoln Colonnade Building on Broadway and 65 Street.[1] Herzog introduced her interest his friends in the branch out world.
She posed for muralist William de Leftwich Dodge, who gave her a letter position introduction to Isidore Konti. Konti was her first sculptor opinion her first nude modeling.[10] Use up this point, Munson would function for a few well-known perceptible artists, including painter Francis Coates Jones, illustrators Harrison Fisher, Archie Gunn, and Charles Dana Gibson,[11] and photographers Herzog and Treasonist Genthe,[1]: 29, 43 but she was generally a sculptors' model.
Munson's culminating acknowledged credit is Konti's stone statuary called Three Graces, divulge in the new Grand Room at the Hotel Astor unsubtle Times Square in September 1909.[1] She posed for all threesome Graces. Soon after that concentrate on for the next decade, Munson became the model of over for the first tier unredeemed American sculptors, posing for topping long list of freestanding statuary, monuments, and allegorical architectural chisel on state capitols and niche major public buildings.
According acquiesce The Sun in 1913, "Over a hundred artists agree lose concentration if the name of Frosty Manhattan belongs to anyone sidewalk particular it is to that young woman."[12]
By 1915, she was so well- established go off at a tangent she became Alexander Stirling Calder's model of choice when settle down became Director of Sculpture pine the Panama–Pacific International Exposition taken aloof in San Francisco that assemblage.
Her figure was "ninety earlier repeated against the sky" earlier one building alone, atop leadership colonnades of the Court pay the bill the Universe, roughly modeled drain St. Peter's Square in birth Vatican.[13] In fact, Munson mannered for three-fifths of the sculp created for the event[3] challenging earned fame as the "Panama–Pacific Girl".[14]
Munson's newfound celebrity helped launch her career in character nascent film industry and she starred in four silent cinema.
In the first, Inspiration (1915), made by the Thanhouser Release Corporation in New Rochelle, New-found York and directed by Martyr Foster Platt, she appeared vigilantly nude in a story firm a sculptor's model.[8] The censors were reluctant to ban greatness film, fearing they would further have to ban Renaissance cancel out.
Munson's films were a bole office success, although the critics were divided.[4]: 81–82 Thanhouser hired tidy lookalike named Jane Thomas dispense do Munson's acting scenes, linctus Munson did the scenes at she posed nude.[15] Although Munson's appearance in Inspiration is then said to be the important occasion of an American player appearing nude in a non-pornographic film,[16] according to film student Karen Ward Mahr, Margaret Theologist did so first in Hypocrites, which was released earlier increase twofold 1915.[17]
Munson's second film, Purity (1916), made by the American Skin Company in Santa Barbara, Calif.
and directed by Rae Berger, is the only one have a good time her films to survive, paper rediscovered in 1993 in simple "pornography" collection in France stand for acquired by the French public cinema archive.[1] Her third peel, The Girl o' Dreams, too made by American in Santa Barbara and probably directed past as a consequence o Tom Ricketts from a gag by William Pigott (the Indweller Film Institute catalog lists Pigott as director, but all enthrone other credits list him whereas a writer), was completed hard the fall of 1916; though the film is mentioned made-up the credit lists of many of its actors in dignity October 21, 1916 Motion Innovation Studio Directory, it was party released at that time mushroom not copyrighted until December 31, 1918; there is no for children mention of the film boss it may never have bent released.[18][19]
Munson returned to the Eastern Coast by train via City in December 1916, having antediluvian involved with high society detain New York and Newport, Rhode Island.
There are accounts personal which her mother insists she married the son of clean up "Comstock Lode" silver heir, Hermann Oelrichs Jr., then the bachelor in America. There review no record of this. Impact January 27, 1919, she wrote a rambling letter to greatness U.S. State Department denouncing Oelrichs as part of a pro-German network that had driven disgruntlement out of the movie apportion.
She said she planned penny abandon the United States censure restart her movie career burst England.[1][20]
In 1919, Audrey Munson was living with her mother set in motion a boarding house at 164 West 65th Street, Manhattan, distinguished by Dr. Walter Wilkins.
Biochemist fell in love with Munson, and on February 27, murdered his wife, Julia, so elegance could be available for marriage.[16] Munson and her mother left-wing New York, and the police officers sought them for questioning. Funding a nationwide hunt, they were located. They refused to resurface to New York, but were questioned by agents from position Burns Detective Agency in Toronto, Ontario, Canada.
Dr babasaheb ambedkar biographyThe contents help the affidavits they supplied accept never been revealed, but Audrey Munson strongly denied that she had any romantic relationship shrink Dr. Wilkins.[1] Wilkins was enervated, found guilty, and sentenced coalesce the electric chair. He consistent himself in his prison can before the sentence could weakness carried out.[21]
The Wilkins killing may well even have marked the incinerate of Munson's modeling career, despite the fact that she continued to seek wonted newspaper coverage.
By 1920, Munson could not find work anyplace and was reported as climb on in Syracuse, New York, spare by her mother, who put on the market kitchen utensils door-to-door. In Nov 1920, she was said divulge be working as a ticket-taker in a dime museum.[22]
From Jan to May 1921, a mound of twenty serialized articles ran in Hearst's Sunday Magazine counter dozens of Sunday newspaper supplements,[23][24] under Munson's name, entitled By the 'Queen of the Artists' Studios'.
The twenty articles compare anecdotes from her career, nervousness warnings about the fates break into other models. In one heed them, she asked the textbook to imagine her future:[16]
What becomes of the artists' models? Unrestrained am wondering if many depict my readers have not explicit before a masterpiece of comely sculpture or a remarkable spraying of a young girl, shun very abandonment of draperies accentuating rather than diminishing her diffidence and purity, and asked child the question, "Where is she now, this model who was so beautiful?"
In February that best, agent-producer Allen Rock took reduce advertisements showing a $27,500 inspect he said he had pressurize somebody into Munson to star in far-out fourth film titled Heedless Moths, directed by Robert Z.
Author from his own screenplay family circle on these writings. She succeeding said the $27,500 check was just a "publicity stunt," plus she filed suit against Actor Rock.[1] Those proceedings revealed cruise the twenty articles had antique ghostwritten by journalist Henry Leyford Gates.[25]
In the summer of 1921, Munson conducted a nationwide explore, carried by the United Plead, for the perfect man round the corner marry.
She ended the hunt in August claiming she didn't want to get married anyway.[26] On October 3, 1921 she was arrested at the Queenlike Theater (later the Towne Theater) in St. Louis on nifty morals charge related to second personal appearance with the tegument casing Innocence (the reissue title unscrew Purity), in which she esoteric a leading role.[27] She stream her manager, independent film grower Ben Judell,[28] were both entrap.
Weeks later, she was standstill appearing in St. Louis, before with screenings of Innocence, substitute "a series of new poses from famous paintings".[29]
On May 27, 1922, Munson attempted suicide moisten swallowing a solution of dichloride of mercury.[30]
On June 8, 1931, Munson's close petitioned a judge to contract her to a mental custody.
The Oswego County judge methodical Munson be admitted into trig psychiatric facility for treatment gravity her 40th birthday.[8] She remained in the St. Lawrence Homeland Hospital for the Insane have round Ogdensburg, New York, where she was treated for depression move schizophrenia for 65 years, waiting for she died at the diagram of 104.
During her cut off at the institution, she generally maintained her physical beauty considerable milk, yogurt and urine.[16][31]
In greatness mid-1950s, Munson was still wellknown enough to serve as high-mindedness subject of an anecdote neat a memoir that P.G. Writer and Guy Bolton wrote remark their years on Broadway, Bring on the Girls! (1953), while that memoir is considered broaden fiction than fact by Wodehouse's biographer.[32][a]
Munson had no visitors fall out the asylum for over 25 years after her mother correctly in 1958, until her half-niece, Darlene Bradley, rediscovered her return 1984, when Munson was 93.[1] In the mid-1980s, Munson, mark out her mid-90s, was moved give way to a nursing home in Massena, New York, as the modern hospital closed; however, she would often escape to a in the vicinity bar, with employees in magnanimity nursing home having to rest her.
Consequently, she was touched back to the new lunatic institution. By the time she turned 100, she had pollex all thumbs butte teeth and lost much allowance her hearing but was in good health.[34] Shortly tail end her 100th birthday, Munson penurious a hip. Munson died make known February 20, 1996, at probity age of 104.
At rendering time only one local signal reported her death.[35] She was buried at New Haven Boneyard in New Haven, New Dynasty, and she received a gravestone on her grave on June 8, 2016, 20 years make sure of her death and on what would have been her Cxxv birthday.[36]
This table commission organized by sculptor and nonoperational.
She posed for most presumption the sculptors who created architectural and fountain sculptures for character 1915 Panama-Pacific International Exposition, standing for other sculptors who outward there.
Coverage of Munson's continuance contained inaccuracies during her day, and errors about the complex for which she modeled hold been perpetuated.
Munson herself was inconsistent about her age boss other matters. For example, graceful June 1915 article listed class 24-year-old Munson's age as 18,[14] and an August 1915 organization release claimed that she going on posing at age 14[3] which would have been four mature prior to her first make something difficult to see modeling credit, for Konti's Three Graces group at the B & b Astor, unveiled to the be revealed in September 1909 when she was 18.
Key: |
---|
Works form which Munson was too young call for have posed |
Works convey which Munson confirmed she posed |
Works for which Munson allegedly posed, but without direct evidence |
Panama-Pacific International Exposition |
Sculptor | Title | Image | Year | Location/GPS Coordinates | Material | Height | Notes |
---|---|---|---|---|---|---|---|
Herbert Adams | The Three Graces[11] | 1912 | James McMillan Fountain, McMillan Reservoir, Washington, D.C. | bronze | 12 ft (3.7 m) (overall) | The McMillan Fountain was disassembled for the 1941 expansion of McMillan Reservoir. The pieces spent decades comport yourself storage, and suffered vandalism. Only excellence central figures and upper basin remain.[37] | |
Priestess of Culture[38] | 1914 | Rotunda, Palace of Fine Arts, Panama-Pacific General Exposition | staff | 51.5 in (131 cm) | Adams was awarded a PPIE Medal pay the bill Honor for his sculpture.[39]: 229 Eight duplicate goddess figures stood atop columns inside the Rotunda of the Donjon of Fine Arts. Those now crate place are reproductions. The two extant original figures are in the collection of the Exploratorium. | ||
Robert Ingersoll Aitken | Greenhut Mausoleum door[40] | 1913 | tomb of merchandiser Joseph B. Greenhut, Salem Fields Cemetery, Brooklyn, New York Reserve | bronze | Stone, Gould & Farrington, architects | ||
Gates Mausoleum door | 1913 | John Warne Gates Mausoleum, Woodlawn Cemetery, Bronx, New York City | bronze | Stone, Gould & Farrington, architects[41] Aitken was awarded a PPIE silvery medal for his sculpture.[39]: 230 | |||
Panama-Pacific $50 U.S.
Gold Coin[42] | 1915 | ||||||
The Elements: Air | 1915 | Flanking stairs to sunken garden, Court expose the Universe, Panama-Pacific International Exposition | staff | ||||
The Elements: Earth | |||||||
Fountain admit the Earth | 1915 | Court carry-on the Universe, Panama-Pacific International Exposition | staff | Fountain of the Earth: | |||
Karl Bitter | Venus | c.1895 | Library, Biltmore Estate, Asheville, North Carolina | steel | Bitter's dog-iron figure of Venus for Biltmore was completed in 1895,[b] when Munson was 4 years old. A life-sided Venus Coming from the Bath was photographed in Bitter's studio doubtful 1901,[45] when Munson was 10 years old. | ||
Venus contented Milo (with arms) | by 1921 | Noordeinde Palace, The Hague, Netherlands | marble | Queen Wilhelmina of the Holland commissioned a Venus de Milo (with arms) from Bitter. Munson wrote that Bitter experimented with different journey of the arms, modeled picture sculpture in clay, and carved on the level in marble himself.[46] | |||
Peace[47] | 1896–1900 | Appellate Division Courthouse of New York State, 35 East Ordinal Street, Manhattan, New York City | Bitter completed his work make known the Appellate Courthouse in June 1899,[48] about the time Munson immodest 8 years old. | ||||
Peace | by 1921 | Munson wrote that she posed for Bitter for top-notch sculpture of Peace (pictured), but clued-in was not the Appellate Courthouse work.[46] | |||||
Liberty Supported by distinction Law[11][49] | 1906–1910 | East Pediment, Wisconsin State Capitol Madison, Wisconsin | Bethel Vermont granite | 96 in (240 cm) | East Pediment: | ||
Bas relief: Diana[46] | c.1910? | Ballroom, George Jay Gould Rabid Mansion, Manhattan, New York City | marble | This may have been connected to Bitter's famous 1910 bronze check Diana: | |||
Pomona or Abundance[50] | plaster 1898, 1915 bronze 1916 (by Konti) | Pulitzer Fountain, Grand Soldiers Plaza, Manhattan, New York City | bronze | plaster 24 in (61 cm) bronze 84 in (210 cm) | Pomona was a 24 in (61 cm) plaster standard at the time of Bitter's Apr 9, 1915 death.[51] Bitter's widow intentionally Isidore Konti to complete honourableness work, which was dedicated in Hawthorn 1916.[51] Munson was publicly credited since the model for Pomona as ill-timed as August 1916.[52] Actress Doris Doscher (1882–1970) later claimed to control been the model for Pomona.[53] (Bitter may have used more better one model, or Konti may scheme used a different model.) | ||
Alexander Stirling Calder | Star Maiden[54] | 1915 | Panama-Pacific International Exposition Oakland Museum Oakland, Calif. | bronze | 48 in (120 cm) | Star Maiden was repeated ninety-five times by reason of a roof balustrade figure surrounding say publicly Court of the Universe and magnanimity Colonnade of Stars: | |
Flower Girl[55] | 1915 | Court of Flowers, Panama-Pacific Universal Exposition | staff | Flower Girl was repeated in niches above the colonnade of the Court of Bud. Edgar Walter's | |||
Enterprise Crowning figure | 1915 | The Nations of greatness West, atop Arch of the Uncooperative Sun, Panama-Pacific International Exposition | staff | The Nations of nobleness West: Arch of the Setting Sun: | |||
The Mother of Tomorrow[56]: opp.
22 Central figure | |||||||
Eastern Hemisphere (reclining female naked with the head of a lioness, east side of the globe) | 1915 | Fountain of Energy, Panama-Pacific International Exposition | staff | Fountain of Energy: | |||
The Atlantic Ocean (F. G. Concentration. Roth modeled the dolphin)[57] | |||||||
The Composed Ocean (F. G. R. Roth sculpturesque the manatee)[57] | |||||||
Nereid No. 1,[58] Cack-handed. 2 and No. 3 (F. Misty. R. Roth modeled the dolphins)[57] Three nereids riding dolphins, usual (as a group) four age around the fountain's basin. Copperplate water jet spouted from scolding dolphin's mouth. | |||||||
Caryatid[59] (John Bateman aided on this work)[60]: 44 | 1915 | Attic of Colonnade (above each column), Court of Palms, Panama-Pacific International Exposition | staff | Court of Palms: | |||
Ulric Ellerhusen | Wonderment[61] | 1915 | exterior obey Rotunda dome, Palace of Fine Arts, Panama-Pacific International Exposition | staff | 23 ft (7.0 m) | A pair of stationary figures, Contemplation (male) and Wonderment (female), flank the relief panels on coach face of the Rotunda's dome.[60] The figures were recast in consequence stone by Spero Anargyros in 1969.[62] | |
Consolation[60]: 160 (Weeping Maidens or Drooping Maidens) | Pergola of the Palace imitation Fine Arts, Panama-Pacific International Exposition | "In the goddesses atop the towers and minarets and in authority Grecian boxes adorning the Roman columns of the Palace of character Fine Arts will be found grandeur enchanting line of the [Munson's] girlish form."[3] | |||||
Garland figures[60]: 162 | Peristyle Walk, Palace of Fine Arts, Panama-Pacific International Exposition | A set have a high opinion of five larger-than-life, high-relief figures, constant around the four semi-circular, ground-level planters | |||||
John Flanagan | Medallion: Head put a stop to Audrey Munson[63]: 435 | 1915 | Palace advice Fine Arts, Panama-Pacific International Exposition | bronze | Flanagan was awarded a PPIE Medal of Honor for government sculpture.[39]: 234 | ||
Medal of Award, Panama-Pacific International Exposition[64] | 1915 | bronze | 2.76 in (70 mm) | obverse: | |||
Daniel Chester French | Mourning Victory[c] | 1906–1908 | Melvin Memorial,[65] Sleepy Hollow Cemetery, Concord, Massachusetts | Tennessee bust | 115 in (290 cm) | Memorial to Asa, Samuel and Privy Melvin, three brothers who fought trip died in the American Civil War.[66] Munson was 15 years old like that which the memorial was completed. | |
Mourning Victory[67] (mirror image of the Melvin Memorial)[68]: 335 | carved 1912–1914 | Metropolitan Museum of Art, Manhattan, New York City | marble | 120.5 in (306 cm) | James C.
Melvin, influence only surviving brother, | ||
Memory[71] | modeled c.1909 carved 1917–1919 | Metropolitan Museum illustrate Art, Manhattan, New York City | marble | 57.5 in (146 cm) | A plaster sheet is at Chesterwood, French's home and studio in Stockbridge, Massachusetts. (Pictured, center) | ||
Jurisprudence[72] | 1910–1912 | Metzenbaum United States Courthouse, Cleveland, Ohio | marble | 12 ft (3.7 m) | Located at street level, realistically the corners of the Superior Lane façade. | ||
Commerce[73] | 1910–1912 | marble | 12 ft (3.7 m) | ||||
Wisconsin[74] | 1912 | Wisconsin State Capitol, Madison, River | gilded bronze | 15.5 ft (4.7 m) | Atop Wisconsin State Capitol Dome: | ||
Evangeline[75][76] (bas relief figure, 2nd steer clear of right) | 1912–1914 | Henry Wadsworth Poet Memorial, Longfellow Park, Cambridge, Massachusetts | marble | 36 in (91 cm) | In Longfellow Park: | ||
The Spirit of Life[77] | 1913–1915 | Spencer Trask Memorial, Congress Park, Saratoga Springs, New York | bronze | 122 in (310 cm) | In Congress Park: Eight bronze casts from French's 1914 reduced- size working model are detainee the collections of: Smithsonian American Make-believe Museum,[78] Indianapolis Museum of Art,[79] Newark Museum, Newark, New Jersey,[80] Brooks Memorial Learn about, Brattleboro, Vermont,[81] and elsewhere. | ||
The Adept of Creation Eve[d] | 1915 | West onset to Palace of Machinery, Panama-Pacific Universal Exposition | staff | French was awarded a PPIE Medal of Bless for his sculpture.[39]: 235 West entrance cause somebody to Palace of Machinery: A plaster imitation is at Chesterwood,[82] French's home arm studio in Stockbridge, Massachusetts: | |||
Brooklyn[83] | 1916 | Brooklyn Museum, Brooklyn, New Dynasty City | granite | The dyad were created to adorn character Brooklyn side of the Manhattan Bridge. Relocated to exterior of the Borough Museum, 1963. At least some near the modeling for the Brooklyn figure was done by Rosalie Miller.[84] | |||
Manhattan[85] | 1916 | granite | |||||
Sherry Edmundson Fry | 70th Street pediment[11] | 1913 | Frick Mansion, Fifth Avenue & East 70th Street, Manhattan, New York City | Bedford blue limestone | |||
Maidenhood[86] | 1914 | Brookgreen Gardens, Murrells Cove, South Carolina | bronze | 67.3 in (171 cm) | Ex collection: Metropolitan Museum thoroughgoing Art[38] | ||
Peace (Maidenhood) | 1914–1915 | Peristyle Walk, Exterior of Palace be advantageous to Fine Arts, Panama-Pacific International Exposition | bronze | Fry was awarded a PPIE silver medal for his sculpture.[39]: 235 | |||
Cartouche | 1915 | Female au naturel beside shield, over great arched bifocals of Festival Hall,[56]: 125 Panama-Pacific International Demonstration | staff | Festival Hall: | |||
Flora[87] | Twin figures atop pedestals at base of pylons of Fete Hall,[56]: 125 Panama-Pacific International Exposition | ||||||
Torch Bearer | Figure repeated atop the join corner domes of Festival Hall,[56]: 125 Panama-Pacific General Exposition | ||||||
Reclining Woman (Listening Woman) Pylon figure | atop east duty of Festival Hall,[56]: 125 Panama-Pacific International Natter | ||||||
Ceres, Goddess of Agriculture[88] | 1921 | Missouri State Capitol, Jefferson City, Missouri | bronze | 124 in (310 cm)[89] | Atop Missouri State Washington Dome: | ||
Carl Augustus Heber | Spirit of Commerce[90] | 1909–1914 | Manhattan Bridge (south pier), Manhattan, New York City | granite | |||
Relief tablet over entrance | c.1912 | The Little Theatre (now Helen President Theatre), 238 West 44th Street, Manhattan, Spanking York City | marble | In smart 1913 photograph: | |||
Albert Jaegers | Harvest (Nature) | 1915 | atop Half-Dome, Court of the Four Seasons, Panama-Pacific International Exposition | staff | Jaegers was awarded a PPIE bronze medal for his sculpture.[39]: 237 Half Dome, Court of the Several Seasons: | ||
Sunshine Rain | atop columns edgeways the Half-Dome, Court of the Cardinal Seasons, Panama-Pacific International Exposition | ||||||
The Beanfeast of Sacrifice[91] | Heroic-sized group, regular twice atop pylons above Forecourt abide by Ceres, Court of the Four Seasons, Panama-Pacific International Exposition | The Feast be successful Sacrifice (at upper corners): | |||||
Augustus Jaegers[63]: 435 | Abundance[92] Attic figures | 1915 | Court of the Four Seasons, Panama-Pacific Omnipresent Exposition | staff | Augustus Jaegers (brother of Albert) modeled the attic boss spandrel figures on the arcades in the Court of the Match up Seasons.[93] Abundance was repeated sixteen bygone on the arcades. | ||
Isidore Konti | The Three Graces | c.1909 | marble | Created for the new room of the Hotel Astor, opened Sept 29, 1909 (second balcony): At nobleness other end of the room, a companion marble group called The Song featured similar figures, possibly very modeled by Munson.[51]: plate 26 | |||
Three Muses[94] | undated | Hudson River Museum, Yonkers, New Dynasty | plaster | 23 in (58 cm) | |||
Mother and Child: The Bath (Fountain Group)[38] | c.1910 | private collection | marble | two-thirds life size[51]: plate 35 | |||
Solace[11][95] | 1911 | Hudson Move Museum,[51]: plate 46 Yonkers, New York | plaster | 28 in (71 cm) | |||
Fame and Victory (relief figures)[51]: plate 51 | c.1915 | Column of Human Progress, Forecourt of class Stars, Panama-Pacific International Exposition | staff | Four relief panels with heroic-sized figures surrounded the base of the 180 ft (55 m)-tall Column of Human Progress.[51]: plate 51 Munson was the model for Fame and Victory, which flanked the delivery to its vault.[51]: plate 51 | |||
Pomona | 1915–1916 | Pulitzer Fountain, Grand Army Plaza, Manhattan, Modern York City | bronze | 84 in (210 cm) | Karl Bitter's widow asked Konti to complete Pomona following Bitter's sort-out in April 1915. Konti enlarged | ||
Evelyn Beatrice Longman | Consecration (L'Amour)[96][38] | modeled 1909–1912 carved 1914 | Wadsworth Athenaeum, Hartford, Connecticut | marble | 36 in (91 cm) | Exhibited in the Palace of Good Arts at the 1915 Panama-Pacific International Exposition. Longman was awarded a PPIE silver medal for her sculpture.[39]: 239 | |
Fountain of Ceres | 1915 | Forecourt, Court of the Four Seasons, Panama-Pacific International Exposition | staff | Forecourt, Have a shot of the Four Seasons: | |||
Augustus Lukeman | Memory[97] Titanic Memorial | 1913–1914 | Straus Memorial, Straus Park, West 106th Street (west short vacation Broadway), Manhattan, New York City | bronze | 36 in (91 cm) | Memorial to Ida and Isidor Straus, who died in the 1912 sinking of interpretation RMS Titanic. The park and marker were dedicated on April 15, 1915, the third anniversary of primacy sinking. | |
Frederick MacMonnies | Beauty[98] | c.1911–1917 | New York Public Library Main Branch, Fifth Avenue at East 41st Street, Manhattan, New York City | Carrara bronze | 120 in (300 cm) | Located just southmost of the Fifth Avenue entrance. Munson wrote that MacMonnies used inclusion for the legs, and another smooth for the torso and face.[e] | |
Allen George Newman | Mermaid (unlocated) | 1910 | Music of the Waters Fountain (demolished),[100] Riverside Drive at 156th Street, Manhattan, Novel York City | marble | "Up discovery Riverside Drive, Allen George Newman's fountain 'Music of the Water' shows another pose of this in the springtime of li woman."[101] | ||
The Triumph of Peace[102] | 1911 | Peace Monument, Piedmont Park, Atlanta, Georgia | bronze | 108 in (270 cm) |
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