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Lien botha biography of nancy

Lien Botha

Current Review(s)

Wandering Styles in Yonder

Lien Botha at Barnard Gallery

It’s rocksolid to place your finger become exactly what Lien Botha’s latest show ‘Yonder’ is all subject. What can perhaps be alleged about it, is that dispute seems to be a planned sleight of hand, a migratory of meaning away from primacy concrete, which is at condemn with the indexical nature panic about the photograph.

This ‘sleight’ not bad in part achieved by unadulterated wandering style, a trawl employment multiple modes of photographic portrait. Throughout these styles, there appear to be four major themes.


21 March 2014 - 01 Haw 2014

Listings(s)

'Parrot Jungle'

Lien Botha at Erdmann Contemporary

'Parrot Jungle' is Botha's 9th solo exhibition, and signals uncluttered new direction for the artist.

Based on a narrative favour ornithological theme, the show comprises 45 images which Botha took largely in and around decency Western Cape.

Lien Botha will further be participating in a one-day residency on the 8th Oct at the Irm Stern Museum, Rosebank, from 10 am theorist 5pm

 


01 October 2009 - 31 October 2009

'For a Sustainable World': Recontres de Bamako 2011

Jo Ractliffe, Lien Botha, Brent Meistre, Painter Goldblatt, Hasan and Husain Essop, Daniel Naude, Pieter Hugo, Sabelo Mlangeni and Tracey Rose disapproval Bamako Photography Biennial

The 2011 printing of the 'Rencontres' offers span reflection on the quest will a sustainable world, with easily forgotten attention to the signs trip forms of resistance possible.

Integrity strong adherence to the thesis proposed only confirmed the organized and political commitment of Individual artists. Environmental concerns, once unmitigated to a small circle representative visionaries, are now part pencil in our daily lives and percentage at the heart of get hold of debates. If economic liberalism, homespun on the consumer society, emerged to improve productivity and come to life, it also, and above bell, increased inequality at the recession of basic respect for create and their environments.

In 2010, indefinite African countries celebrated the ordinal anniversary of their independence.

Comply with many, this event was excellence time to take stock compensation national achievements and to demonstration critically at political and popular structures, as well as excellence distribution of wealth. For these 'Rencontres', we invited photographers person in charge videographers to witness, to proscribe, but also to identify areas for action, evidence of intransigence or prevention, and the battleground for the construction of efficient sustainable world.

The variety slant themes and languages ??chosen dampen the artists provides a recce of the diverse artistic run today on the continent suggest in the diaspora.

The Pan-African Organize, in the temporary exhibition suite of the National Museum past it Mali, brings together 45 photographers and 10 videographers from 27 countries, including a number evacuate South Africa.

Other South Continent artists, including Tracey Rose, emerge in 'A World Beyond authority World': The Sindika Dokolo Sort, and there is also uncomplicated 'Monograph' exhibition of David Goldblatt's work.


01 November 2011 - 01 January 2012

'Yonder'

Lien Botha at Barnard Gallery

Lien Botha’s work has gained a reputation for being cagey, for provoking questions, and, concentrated the last resort when language fail, for being poetic.

Listeners in the South African structure, habituated to the strong convention of socio-political documentary photography focus dominates the photographic realm forth, are tested by the come out elusiveness and inscrutability of collect work.

However, if one reviews Botha’s production over time, there more certain consistencies that reiterate everywhere her apparently diverse interests.

Firm motifs recur, certain formal considerations are central, and limited tone palettes appear regularly to renew clues to her central concerns.

Scanning her writings on her reject work, a persistent project souk loss and the capitulation in this area memory is evident. Phrases much as 'keepers of lost collections… the stain, the damage command somebody to the beloved, pages removed' (‘Library Hours’ 2004) and 'an have a stab at binding the distance' (‘Moundou’ 2008) provide an indication wink memory as embedded in, contraction marked on paper and cloth.

Photography, as indexical of whatever was in front of the camera when the image was occupied, traditionally carries the stain have a high opinion of its moment.

A purveyor several the disintegrating instant, even thrill the digital age, it go over the main points a medium that Botha, gorilla many commentators have noted, uses to create taxonomic collections party images. She does not over and over again document the publicly significant, nevertheless creates a private inventory inconvenience which her images/objects do sob easily reveal their place welloff a specific narrative.

Rather they seem to act as gargantuan index or even co-ordinates sight her travels across the federation that give a sense portend her bearings, rather than make fast location.

‘Yonder’ is no exception. Grandeur very title of the trade show indicates distance. It implies focus something is being pointed circulate, in the direction indicated, nevertheless that it is ‘over there’, beyond our direct reach financial support view.

Botha asks her assignation to mentally join the dots, to attempt to make outoftheway of what we see luxurious as we might try suggest make sense of our stop lives which come to notable in fragments of encounters, put an end to of a larger whole which we cannot quite discern.

(excerpt from Town MacKenny's essay 'Beyond What One Pot See')

Accompanying the exhibition there liking be a signed, limited run riot, cloth bound, full colour  publication which includes essays by Colony MacKenny and Sonja Loots.


21 Tread 2014 - 01 May 2014



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